The 2022 Oscar winner, and eventually told in the form of a poem, this drama tells the story of an ordinary day in a British Asian family until a far right group comes for them. It displays fine filmmaking - and Ahmed is always great - but its conceit does grate a little with me: that a Brownshirt-like movement is cleansing ethnic families (as the Nazis once did) and these families are taking no precautions, nor receiving any help from the public.
The Neighbors' Window - which won the Oscar in 2020 - is an examination of the greeness of the grass on the other side. A middle-aged couple with young children see a young, partying couple move into the apartment opposite, and are immediately reminded of their own unexciting lives. So much so, that the stressed-out mother becomes obsessed with the younger couple. However, everyone faces personal struggles and, after the passing of several seasons, it becomes clear that the couple opposite are facing a traumatic event.
The Silent Child is classic Oscar fodder (being a drama featuring a child) and duly won the Academy Award for Best Short Film in 2018. It tells the story of Libby, a deaf 6-year-old girl, who inhabits a silent world (because she has one of the most selfish families in the history of mankind) until a social worker teaches her sign language. It garnered a lot press at the time of its win (compared with other winners), perhaps due to Shenton's previous work on teen soap opera Hollyoaks. It is a solid drama with a great performance from the young Maisie Sly.